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在我们看到的古代沉香把玩小件雕刻优秀作品中,几乎都以攒斗的方法制作完成的,极难见到单块沉香材料制作成的作品,即使是尊贵的宫廷器物也是如此。究其原因,主要因为制作优秀把玩件一般都需要使用沉水级的上好沉香原材,而能够满足雕刻需求的大体块沉水级的沉香原材在自然界是极为稀缺的。人们对沉香物品的喜爱与追求默许了将细碎的沉水级沉香原材以攒斗的方法组合成复合材料,从而使更佳造型创作成为可能,并形成惯例。在一贯以追求完美为特征的中国古代工艺美术中,这种攒斗方法被
Almost all of the outstanding works of ancient incense and incense playing on small carved sculptures we have seen have been made in a very save-hard way. It is extremely difficult to see the works made of a single incense material, even the noble court objects. The reason is mainly due to the production of excellent pieces of the game generally need to use the sink-level Shanglou incense raw materials, and to meet the engraving needs of the general block sink level incense raw materials in nature is extremely scarce. People’s love and pursuit of incense items acquiesced in the fine submerged sediment-level raw materials to save the fight to the complex method of composite materials, so that better shape creation possible and the formation of conventions. In the traditional art and crafts of ancient China, always characterized by the pursuit of perfection, this method of saving was