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新时期以来中国的社会以一种前所未有的复杂形态演进,它所呈现的社会历史文化内容的丰富性远远超过了以往任何时代。这是人类历史上最需要也适合诞生伟大文学批评的时代。相对这一时期所拥有的丰富社会历史内容和所能依托的丰富的中外文学文化资源来说,我们这方面的收获显然滞后了。迄今为止,我们的文学批评不仅缺少一种足以令人完全信服的、既立足于人类社会文明发展的最前沿又有着对文学审美特征精辟理解的、能深刻阐释和引领时代精神走向的大境界范式,甚至还面临精神上或审美上的不断退化。如何建构足以与我们这个时代的丰富审美内容以及精神向度吻合的文学批评范式,当引起学界深入思索。
Since the new era, the Chinese society has evolved in an unprecedented complex form. The social historical and cultural contents it presents have far more richness than ever before. This is the era most needed and suitable for the birth of great literary criticism in human history. Compared with the abundant social and historical contents and the rich resources of Chinese and foreign literary and cultural resources that can be relied upon during this period, our harvest in this area obviously lags behind. So far, our literary criticism not only lacks a kind of grand state paradigm capable of profoundly explaining and leading the spirit of the times based on the forefront of civilized development of human society and its understanding of the aesthetic characteristics of literature, , Even mental or aesthetic degradation. How to construct a literary criticism paradigm that is enough to be consistent with the rich aesthetic content and spiritual orientation of our times should arouse deep thinking of the academic circles.