一个颇耐深思的现象:《诗》称言志,可是全书从头到尾无志字;《诗》主抒情,然而终三百篇只发现一个情字,而笔者以为此情当读为精。志字另外具文探讨,本文专说情何以为精。在笔者看来,研判精与情之间这一转换,对于廓清春秋、战国之交的宗教、哲学、精神、心理、审美几方面相互关系,理顺后世一些文学重大母题的发端、走向,都是不可多得的个案,值得十分重视。 A rather thought-provoking phenomenon: “Poems,” said the ambition, but the book without words from start to finish; “Poetry” advocate lyric, but the last three hundred only found a love word, and I think that when read as fine. Other words to explore the text, this article specifically that what love is refined. In the author’s opinion, this transformation between fine and affection is of great significance to clarify the relations between religion, philosophy, spirit, psychology and aesthetics in the Spring and Autumn Period and between the Warring States and straighten out the origins and trends of some major literary motifs of later generations, All are rare cases that deserve great attention.