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本文试图以中外美术史上写生演变之过程、原因及其意义和古今中外一些流派的代表画家对写生的态度、观点以及成就为例,论证“写生与创作”之内在联系,以表述“写生也是创作”的观点。
This paper attempts to demonstrate the relationship between “sketch writing and creation” by using the process, reason and significance of the sketching evolution in Chinese and foreign art history as well as the attitudes, opinions and accomplishments of representative painters of some schools at all times and in China as examples. "the opinion of.