作为文学研究的新范式,中国语境中的文学人类学研究形成了许多新的方法,多重证据法是其中最具代表性的。多重证据法立足于材料的拓展,在比较的视野中进行“以西援中”式的学术改造,中西材料的相互文本化成为其问题所在。在文学人类学批评实践和方法论建构中,如何关注中国本土经验和个体性经验,使得文学研究人类学视野中的审美维度得以彰显就成为其深入发展的关键。 As a new paradigm of literary studies, many new approaches have been developed for the study of literary anthropology in the Chinese context. The multiple evidence approach is one of the most representative. The multiple evidences method is based on the material development. In the comparative field of vision, “Western aid” is the academic transformation. The mutual textualization of Chinese and Western materials becomes its problem. In the literary anthropological criticism practice and methodology construction, how to pay attention to Chinese local experience and individual experience makes the aesthetic dimension in the perspective of literary research anthropology become the key to its further development.