吴建军的山水画将一种旷达辽阔的胸襟寄托其中,在数尺范围之内展现山川河流同时也是人格的大气磅礴。他善于利用笔墨豪放挥洒的气势和恣意书写,营造画面内敛深沉的意境。他追求画面整体效果的自然生动,特别是远望山川奇峰的巍然和气魄,打破传统山水画“留白”的传统,以墨色将画面几乎占满,气势压顶之下,画面留有少许空白,既有视觉的喘息,画面又处处气韵流动,观之毫无壅滞之感。浓淡相宜的墨色配上干湿结合的笔法,一种朦 Wu Jianjun’s landscape painting will be a vast broad-minded sustenance which, within a few feet of the range of mountain rivers and rivers is also a magnificent personality. He is good at using pen and ink bold and swaying momentum and wanton writing, creating a deep introverted artistic conception. His pursuit of the overall picture of the natural and vivid effects, especially the distant peaks Qifeng towering and bold style, breaking the traditional landscape painting “leaving white ” tradition, the picture will be almost filled with ink, the momentum under pressure to leave a little blank picture , Both the respite of vision, the picture is always flowing, the concept of no sense of stagnation. Shades affordable ink coupled with the combination of wet and dry brushwork, a kind of Meng