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赋体之名,古今中外众说不一、纷纭杂乱。归根结蒂是赋体源流的扑朔迷离,未详其究竟。考察赋体源流,势必先理清辨明“赋”义,即创作赋篇的艺术表现手法及其技巧。钟嵘《诗品》赋论,立足诗歌创作“三义”说,辨证《诗》赋体精髓之赋义,历来被忽视了。《诗》乃中国文学史上首部诗歌总集,与《周礼》“六诗之歌”密切相关,亦乃钟嵘《诗品》赋论乃至诗歌理论丰富的文本资源。探索《诗品》赋义,辨证《诗》赋篇系列作品,赋体源流之谜可得以解开。
The name of the body, both ancient and modern, different, disagreeable. In the final analysis is confusing and confusing, not exactly what to do. To examine the origins and origins of the genre, it is bound to sort out clearly the meaning of “Fu ”, that is, the artistic expression techniques and techniques of writing Fu articles. Zhong Rong’s “poetry” Fu theory, based on poetry creation “Sanyi ” said that the dialectical “Poem” Fu Yi essence of the meaning has always been neglected. “Poetry” is the first collection of poems in the history of Chinese literature. It is closely related to Zhou Li and Song of Six Poems, and is also a textual resource enriched by Zhong Rong’s poems and poetry theory. To explore the “poetic” meaning, dialectical “poem” Fu series of works, the origin of the mystery can be solved.