记得去年《美术》第一期发表了王仲的《画家的天职是画好画》一文,写得既中恳又尖锐,许久没有人这样看艺术、说艺术了。时隔一年仍记忆犹新。在当今新观念层出不穷的时代,像王仲如此为文肯定算不上新潮,不说保守也多少“不合时宜”。如今画界,艺术家的盲从与理论家的误导,再加上商业市场的金钱诱惑画家整天忙于“画钱”,画室已被冷落多时。理论家不甘清贫与寂寞穿梭于大小艺术研讨会之间,常常甲场的椅子还没 I remember last year, “Art” released the first issue of Wang Zhong’s “painstaking job is to draw a good painting,” a man who writes both earnestly and sharply. For so long no one is looking at art and art. A year later still fresh memories. In today’s endless stream of new concepts, such as Wang Zhong, Wen Ken certainly not trendy, not to mention the number of conservative “out of date.” Nowadays, the art circles, the blind obedience of the artists and the misguidance of the theorists, coupled with the temptation of the money in the commercial market, painters spend all day painting money and the studio has been left out for a long time. Theorists do not want to be poor and loneliness shuttle between the size art seminar, often the chair of a stadium not yet