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张东红1967生于吉林1992毕业于吉林艺术学院美术系1995在北京建立艺术工作室2009-任吉林艺术学院当代艺术研究院院长新时期以来激浪汹涌的新艺术潮流,让架上绘画日益式微、日益边缘化,这已是不争的事实。在这种式微形势下的架上绘画内部也出现了明显分化,前卫的、先锋的新潮绘画与具象写实的油画分道扬镳,加之“现实主义”创作模式的僵化,让人觉得具象写实的艺术手法很难适应当代艺术表达的需要,这又令具象写实绘画处于几乎完全不受批评关注的相当尴尬的境地。十多年前,我作为“92年首届广州艺术双年展(油画部分)”的学术鉴定总监在为该展所做的学术评估报告中曾经有过这样的
Zhang Donghong 1967 Born in Jilin 1992 Graduated from the Art Department of Jilin Art Institute 1995 Established Art Studio in Beijing 2009- Renamed as Dean of the Contemporary Art Institute of Jilin Art Institute The surging trend of new art since the new era has made the painting on the shelf more and more popular Marginalization is an indisputable fact. In this type of micro-situation under the shelves of painting also appeared a clear differentiation, avant-garde, vanguard trendy painting and concrete realism parted ways, combined with “realism ” rigid mode of creation, people think realistic realistic art The technique is difficult to adapt to the needs of contemporary art expression, which in turn gives the portraiture-like realistic painting a rather embarrassing situation that is almost completely free from criticism. More than a decade ago, as director of academic appraisals for the first Guangzhou Art Biennale (part of Oil Painting) in 1992, I made the following remark