李渔所处的时代虽然还没有“接受美学”的诞生,但李渔凭借对戏曲这种特殊文艺形式的独特理解以及对戏曲创作的切身体会,在《闲情偶寄.词曲部》中用他自己的方式阐释了300年后接受美学中所谓的“隐在读者”、“期待视野”、“审美距离”等重要思想。 Although the era of Li Yu is not yet the birth of “Accepting Aesthetics,” Li Yu used the unique understanding of the special form of opera and his personal experience in the creation of opera. His own way of interpretation of the so-called “hidden in the reader”, “horizon of expectation”, “aesthetic distance” and other important ideas in aesthetics accepted 300 years later.