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经过几十年的艰难探索和不懈实践,以“云法造境”创作方式构建的山水画、时空水墨画两大系列作品,终于以与古人不同、与今人也不同的艺术面貌展现出来。这两大系列作品的出现,是我突破以往山水画的观察思维方式和艺术表现形式,通过深入探索研究“云法造境”这一艺术创作新课题、新样式而获得的实质性成果。开创“云法造境”新课题、新样式,是我致力于艺术创新,力图从理论与实践两方面为中国画的创新打开一个突破口,为中国画的多元化发展贡献一份力量的毕生追求。同时,也以自己的艺术实践进一步证明山水画不应永远停留在旧有的单一样式上,中国画还有巨大的发展空间需要当代艺术家去开拓与创造。
After several decades of hard exploration and unrelenting practice, the two series of landscape paintings and time-space ink-and-wash paintings constructed in the mode of creation of the land of cloud and law finally show themselves in different artistic forms from those of today. The emergence of these two series of works is a substantive result that I have made in breaking through the observation mode of thinking and artistic expression of landscape paintings in the past through in-depth exploration and study of new topics and new styles of art creation. Creating a new subject and new style of creating a new environment for the creation of a new cloud is to devote ourselves to artistic innovation and try to open a breakthrough in both theoretical and practical aspects for the innovation of Chinese painting and make a contribution to the diversification of Chinese painting. . At the same time, it also proves that landscape painting should not stay forever in the old single style with its own artistic practice. There is still a huge space for Chinese painting to open up and create for contemporary artists.