青绿山水画在中国传统绘画史以及艺术史上有着源远流长的深厚传统和艺术底蕴。然而,相比于水墨山水的风光无限,青绿山水更像一位未出闺阁的待嫁女子,默默无言,却依然不断成长和发展着。随着人类文明的现代化步伐不断演进,青绿山水画在传统与现代之间绽放出迥然的色彩。作者认为,从装饰意象这一维度上看,青绿山水画的现代性转型色彩是十分明显而典型的。文章在简单分析青绿山水画的装饰性意象发展过程的基础上,对其装饰性意象进行分门别类的阐释。 Green landscape painting in the history of traditional Chinese painting and art history has a long tradition of deep and artistic heritage. However, compared to the landscape of ink and wash landscapes, the green landscape is more like an unmarried woman to be marryed, silent, but still continue to grow and develop. As the pace of modernization of human civilization continues to evolve, the green landscape paintings bloom between the tradition and the modern. The author believes that from the perspective of decorative image, the modernity of the landscape painting of Qinghai is very obvious and typical. Based on the simple analysis of the process of the development of the decorative images in the landscape paintings of Qinglu, the article explains the decorative images in different categories.