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峨影新片《特急警报333》,最值得赞扬的一点是敢于反映现实,热情歌颂和努力塑造现实生活中涌现出来的社会主义新人。在电影艺术的创作中,作出了新的美学探索。几十年来,我们的电影在密切反映现实,配合中心任务,塑造英雄形象方面是作过种种努力的,但由于脱离生活,不顾艺术规律,着眼于演绎政治理论概念,图解政策,产生了不少公式化概念化的文艺作品,确实使人觉得乏味、讨厌,不受群众欢迎。由于长期如此,致使一些人认为:反映现实和塑造新人,就难免会产生公式化概念化,就难免不真实,这是一种不对头的观点。《特急警报333》放映后,很多观众看了很感动,觉得它生动地成功地反映了四川人民战胜特大洪水灾害的英勇斗争的场景,塑造了县委书记郑驰和方县长等党员领导干部的动人形象。这些社会主义新人,并不是“高、大、全”的不可信的“神”,而是平易可
The most commendable point of the new Erye film “Urgent Alert 333” is to dare to reflect the reality, to sing and strive hard to create the new socialist people emerging in real life. In the creation of movie art, a new aesthetic exploration has been made. For decades, our films have made every effort to closely reflect reality, cooperate with the central task and shape the heroic image. However, due to being out of life, disregarding the law of art and focusing on deducing the concept of political theory and illustrating the policies, many movies have been produced Formula conceptualized literary and art work, really makes people feel boring, annoying, not popular with the masses. As a result of such a long period of time, some people think that reflecting the reality and shaping new people will inevitably produce a conceptualization of formula, which is inevitably untrue. This is an incorrect view. After the show of “Special Alert 333”, many of the audience looked very moved and felt that it vividly reflected the scene of the heroic struggle of the Sichuan people in overcoming the devastating floods and shaped the leadership of Party members such as Party Secretary Zheng Chihe and Party Magistrate Moving image. These new socialist people are not the unbelievable “gods” of “high, big, complete”