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从我们现在的艺术状况来看,所有的非绘画的后现代艺术家都与波依斯(Joseph Beuys 1921—1986)有关。当然,我们同时也看到了现在的艺术家,即所有的差的艺术作品的产生也是与波依斯有关,是波依斯提供了我们一个艺术史的错觉,好像有了波依斯就等于有了当代艺术。但事实上波依斯给我们的与其是艺术还不如说是一种艺术的存在方式,他在艺术史上的成功也就是能够证明艺术是可以这样去做的。由于我们一直没有对波依斯的思
From our present state of art, all non-painting post-modern artists are related to Joseph Beuys (1921-1986). Of course, we also see the present artist, that is, all the bad works of art are also related to Bois. Boisi provided us with the illusion of an art history. It seems that if Bois is equivalent to having modern Art. However, in fact, Boisi gives us an art form rather than art, and his success in art history proves that art can do the same. Because we have never thought of Bois