《细雨无声》是中国重彩画家刘新华先生的花鸟画作品,描绘的是牵牛花绽放于清晨细雨中,水天交融的氤氲景象。同样以牵牛花为题材的作品,笔者在与刘新华先生访日考察期间,欣赏到了日本院展画家松村公嗣先生创作的《晨朝》。在《晨朝》中,作者将牵牛花的情态表达置于满月当空渐进晴朗的晨朝之下。同一个题材中日画家使用了不同的表达手法,反映出的不仅仅是两位艺术家在不同时空下的情感感受,更是两个国家在不同文化心理之下、不同知识结构之下、不同艺术价值观念之下的不同视觉 The “silent rain” is a flower and bird painting by Chinese heavy painter Mr. Liu Xinhua, depicting a scene of morning glory blooming in the early morning drizzle and water and sky blending. The same morning glory as the subject of the work, the author and Mr. Liu Xinhua during his visit to Japan, I enjoyed the Japanese theater painter Mr. Gong Murakami creation of the “morning.” In “The Morning,” the author places modal expressions of morning glory under a clear sunny morning in the full moon. The same subject used different expressions by Chinese and Japanese artists, reflecting not only the emotional feelings of the two artists in different time and space but also the differences between the two countries under different cultural psychology, different knowledge structures and different art Different visions of values