石涛是中国的艺术家,理论家,他的生活及生活背景决定了他的思想高度及其思想体系,以禅宗为依靠,以中国古典哲学和传统文化为土壤,在中国绘画理论中开出一朵奇葩,对后人影响很大,他的重要论说“一画论”及“蒙养生活”论中包含着深刻的哲思。“一画论”不是一个关于技巧的理论,而是一种侧重于建立自性本体的理论,是石涛独创的画学概念,石涛画论体系的核心。“蒙养”“生活”这对概念被石涛在中国古代语言基础上赋予了全新的意义。在当时董其昌曾力倡“南北宗”学说的大氛围中石涛以他的才华异军突起,向现代绘画突进了一步,这也是很值得我们反思和学习。 Shitao is an artist and theorist in China. His life and background determine his height of thought and his ideological system. Zenism is the basis, taking Chinese classical philosophy and traditional culture as the soil, he spends a lot in Chinese painting theory Wonderful work has a great influence on future generations. His important theory of “one theory of painting” and “keeping one’s life” contains profound philosophical thoughts. “Theory of One Painting” is not a theory of skill, but a theory focusing on the establishment of self-nature. It is the original concept of painting by Shi Tao and the core of Shi Tao’s theory of painting. The concept of “keeping” “life ” was given a brand new meaning by Shi Tao on the basis of ancient Chinese language. At that time, Dong Qichang had advocated the great atmosphere of the theory of “North-South Buddhism”. With his extraordinary talent and talent, Shitao suddenly took a step toward modern painting. This is also worth our reflection and study.