草原牧民,热情全部锁在心里面,体现在行动上,绝不在语言上。《额吉》并不是一部通常意义上的主旋律电影。三千上海孤儿被内蒙母亲收养的故事,乍看温暖感人,细看则充满了沉重的力量。《额吉》的故事并没有止于一个煽情母爱故事。二十年后,面对着条件更优越的上海和充满愧疚的亲生父母,这些孤儿又该何去何从?锡林高娃的生母用一包点心换回了当年丢在街上的孩子,会写诗的锡林夫则选择留在草原母亲的身边。锡林夫对他的蒙古养母琪琪格说:“我不是国家的孩子,我是您的孩子。” Prairie herders, passionately locked in the heart, reflected in the action, not in language. “Okay” is not a theme film in the usual sense. The story of three thousand Shanghai orphans adopted by their mother in Inner Mongolia at first glance is warm and touching, with a look full of heavy power. The story of “So Goodbye” does not stop at a sensational motherly story. Twenty years later, in the face of superior Shanghai and guilty parents, where should these orphans go? Xilin Gao Wa’s mother replaced her child who was thrown in the street with a snack in the past and wrote poetry The Xilinfu chose to stay in the steppe mother’s side. Kirill said to his Mongolian adoptee Qiqi Ge: “I am not a child of the country, I am your child.”