“红山文化”的名称可以说是北方史前玉文化的代名词,但是它的盛名绝非是因为它在数量和工艺都十分可观的神玉,而更多地是因为这些神玉背后它代表的是北方史前的文化。在一九九二年兴隆洼时期出土的玉器除了使用工具玉斧、玉锛外,还有玉玦,蝉、蚕、匕形器、人物、管、珠、组合的项饰等。从玉玦的加工痕迹可以明显地看到当时已有管钻、玦钻、线切割、抛光等成熟的制玉技术和镶嵌工艺。在所有出土的玉器中,我个人觉得恰恰是玉玦的做工是最为突出的,因为在每个玉玦上,我们都能发现古老的工艺痕迹,每一件玉 The name “Hongshan Culture” can be said to be synonymous with the prehistoric jade culture in the north, but its reputation is by no means due to its presence in the god jade in terms of quantity and craftsmanship, but more because of these god jades behind it Represents the culture of prehistoric North. In 1992 Xinglongwa unearthed jade in addition to using tools jade ax, jade adze, there are jade, cicada, silkworm, dagger, people, tubes, beads, combination of accessories and so on. From the jade processing marks can clearly see that at that time there are tube drilling, drilling, wire cutting, polishing and other mature jade technology and mosaic technology. In all unearthed jade, I personally feel that it is precisely jade workmanship is the most prominent, because in each jade, we can find the traces of the ancient craft, every piece of jade