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我一生是一个戏剧(包括戏曲、影视)的艺徒、学子,但我不是科班出身,没上过戏剧专科学校,却常在舞台上摸爬滚打以求进取“博士后”。我的艺术人生中有三位最主要的导师:黄佐临、万家宝(曹禹),还有张骏祥,他们都大有学问,学贯古今中西。抗日战争时期,佐临在上海导戏,骏祥在重庆导戏,万家宝在江安的“剧专”授徒;但三位有一个共同的愿望,即胜利之日在上海搞一个“黄万张剧院”,进行戏剧各种风格的实验、实践。在仅存的骏祥几篇回忆录中,写佐临的《剧场艺术开拓者》,写家宝的《美好的回忆》,还
My life is a drama (including drama, film and television) art, students, but I was not a science class, did not attend the drama college, but often fought on the stage in an ambitious “postdoctoral.” There are three main mentors in my art life: Huang Zuolin, Wan Jiabao (Cao Yu) and Zhang Junxiang, all of whom are highly knowledgeable and versed in ancient and modern Chinese and Western cultures. During the war of resistance against Japan, Zuo Lin guided the play in Shanghai and Chunxiang guided the play in Chongqing. Wanbao held a “drama” in Jiang’an. However, all three had a common wish that the day of victory was to engage in a yellow Thousands of theaters “, a variety of theater experiments, practices. In the only Chun Xiang several memoirs, write Zuo Lin’s ”Theater Art Pioneer“, write treasure ”good memories"