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因保罗·策兰(Paul Celan)作品对西方诗学内部产生的断裂性冲击,本文将采取一个较为迂回的讨论策略,它不直接诠释策兰诗歌,而是致力于思考灾难对诗歌的言说主体/我产生的变异作用以及当代西方思想把握此种诗意变异的可能途径。本文通过考察斯坦纳(George Steiner)、斯丛狄(Peter Szondi)等研究者对策兰诗歌的置放与解读,尝试勾勒策兰灾难之诗对诗歌与思想这一希腊以来的奇异双面体所给予的内在界限、划痕,描述策兰诗歌内生于当代思想与话语的绝境态势。
Due to the fragmentary impact of Paul Celan’s works on western poetics, this article will adopt a rather roundabout discussion strategy. It will not directly explain Celan’s poetry, but rather devote himself to thinking about the subject of disasters to poetry The variation that I produce and the possible ways by which contemporary western thought grasps this poetic variation. By examining the placement and interpretation of Celan’s poems by George Steiner and Peter Szondi, this article attempts to sketch the relationship between poetry and thoughts, the singular double-sided Given the inherent boundaries, scratches, describe the incendiary situation of the contemporary thoughts and discourses in Celan poetry.