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在中国山水画史上,写生是画家对自然山水的一种体察方式,它是传统技法与真山实水之间的沟通桥梁。古代山水画家写生的方式与现代的写生有所不同,笔者这里所指的写生,不仅包括了用毛笔等绘画工具的直接对景写生,也包括了观后靠回忆而画的作品。一方面,画家可以用所习传统技法表达真山实水;另一方面,大自然中生机勃勃的山水景象又印证了传统山水画技法程式的由来,可以扩容传统山水画的表现技法。直接面对鲜活的自然写生,通过细致入微的观察,发掘自己的独特
In the history of Chinese landscape painting, sketching is an artist’s way of looking at natural landscapes. It is a bridge between traditional techniques and true mountain water. The way of painting by ancient landscape painters is different from that of modern sketches. The sketching here refers not only to direct sketching of paintings with painting tools such as calligraphic brushes, but also to paintings written after memories. On the one hand, the painter can use his traditional techniques to express the truth and the touch of water; on the other hand, the vivid landscape of nature in the nature confirms the origin of the traditional techniques of landscape painting and expands the performance techniques of traditional landscape painting. In the face of fresh natural sketches, discover your uniqueness through meticulous observation