市井江湖画不可学,学必从士大夫之卓卓者。——黄宾虹1931年与朱砚英书黄宾虹大约在1907年43岁的时候,开始发表各类文章(1),这之中多数是关于画史、画论的内容。虽然,他在论述中表达了对画史内的流派和画家的看法,反映出了他的品评观,但是,具体品评中的价值判断标准并不是很明晰。这主要是,他的史论著述并没有离开前人画史的知识系统,也没有脱离传统国画的审美准则,因此,所做的一系列的梳理工作,反映了传统的画史、画论研究的著述方式,并将这一方式做了继承和延续的努力。另一方面,基于知识传播途径的公共性,中国的文人在近代以新的印刷技术刊印研究成果的知识传播中,在文字的表达上经常是恪守着中庸的原则,所以,黄宾虹把自己的品评准则隐藏在知识的叙述中,并不为人所显见。相反,他在与友人的一些通信中却以简短的文字把这些准则表露得非常明晰。这种具有私人性的书信好像是老友 Well-painted rivers and lakes can not learn, learn from the doctor’s Zhuozhuo who. - Huang Binhong In 1931 and Zhu Yingying, Huang Binhong began publishing various articles about 1907 (1), most of which were about the history of painting and the theory of painting. Although he expressed his views on genres and painters in the history of painting in his discourse and reflected his view of product evaluation, the standard of value judgments in specific product reviews is not very clear. This is mainly because his historical writings did not leave the knowledge system of the predecessors’ painting history nor the aesthetic criteria of traditional Chinese painting. Therefore, a series of combing work reflected the traditional history of painting and painting theory The way of writing, and this way to do a succession and continuity of efforts. On the other hand, based on the publicity of the means of knowledge transmission, Chinese literati often abide by the principle of the mean in their expression in the modern knowledge dissemination of research results through new printing techniques. Therefore, Huang Binhong put his own criticism Hidden in the narrative of knowledge, the guidelines are not obvious. On the contrary, some of his communications with friends reveal the guidelines very clearly in short sentences. This personal letter seems to be an old friend