她,娇颜俏丽,身姿绰约,头发总是绑成小圆面包似的髻,小提琴从不离手,眼神迷朦忧郁,既拒人千里,又惹人爱怜。如果因此而陷入对她浅薄的揣度,那就大错特错了,这个看似柔弱的女子拉起琴来,却眼空四海,如入无人之境。一个在录音筒面前从来显得从容自若的演奏家,无论站在哪里演奏,都会呈现出一派大家气象,这种气象曾经附着在匈牙利炫技派小提琴大师耶诺·胡拜(JenoHubay,1858-1937)的身上,同样,在他的 She, charming pretty, graceful posture, the hair is always tied into a bun-like bun, never leave the violin, eyes Melancholy melancholy, both refused to thousands of miles, but also arouses affection and mercy. If so into her superficial speculation, it is wrong, this seemingly weak woman picked up the piano, but empty-faced, such as into the unmanned. A performer who has always seemed to be calm in front of the soundtracks, no matter where he plays, presents a genius that was once attached to JenoHubay (1858-1937), a Hungarian hymnist violinist, In the same way, in him