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今年有2000名中国艺术家去威尼斯参与双年展期间的各类活动,这已经占了整个威尼斯双年展参与者的半数之多了。这么多中国艺术家“赶海”威尼斯干什么?看展览,体验艺术,欣赏作品,推广自己还是社交以及潜在的各种商机?中国艺术家扎堆威尼斯双年展背后引起了国内艺术界广泛非议。作为从1894年创办至今一直在主导当代艺术潮流和前沿的展览活动,威尼斯双年展已经成为全世界艺术家的追求。但这种追求,在商业驱动下已经分化
This year, 2,000 Chinese artists went to Venice to participate in various activities during the Biennale, which already accounted for as many as half of the participants in Venice Biennale. So many Chinese artists, “chasing the sea”, Venice doing? Seeing exhibitions, experiencing art, appreciating works, promoting themselves or socializing and potential various business opportunities? The rise of the Chinese artists behind the Venice Biennale has caused widespread criticism in the domestic art scene. The Venice Biennale has been the quest for artists all over the world since the founding of the exhibition in 1894, which has been leading the tide and forefront of contemporary art. However, this pursuit has been differentiated by business