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粉彩花鸟画艺术的发展实际上与中国画有着密不可分的联系。两者都是强调要走进大自然进行写生,向其摄取艺术创作的灵感。但是,由于粉彩花鸟长期受到传统花鸟瓷画创作的影响,创作形式仍停留在依样画图的方式上,未能重视写生的重要性。这种现状不利于粉彩花鸟画的发展。本文从写生与创作的关系、当代粉彩花鸟创作以及笔者对粉彩花鸟创作的感悟等几个方面来强调摆脱传统的创作形式(即依样画图的方式)而走进大自然,对自然生命进行观照,把大自然的美与创作者内在的生命合而为一。通过写生领会花鸟瓷画的审美、特色及其内在精神,重新感受瓷画创作的魅力,实现自我突破,促使花鸟瓷画与时代同步发展。
The development of pastel flower and bird painting art is in fact inextricably linked with Chinese painting. Both emphasize the need to walk into nature and sketch, drawing inspiration from artistic creation. However, since the pastel flowers and birds have long been influenced by the traditional porcelain and porcelain paintings, the forms of creation still remain in the way of drawing pictures, failing to pay attention to the importance of sketching. This situation is not conducive to the development of pastel flowers and birds. This article emphasizes that getting rid of the traditional form of creation (that is, according to the way of drawing a picture) and going into nature from several aspects, such as the relationship between sketch and creation, the creation of contemporary pastel flowers and birds and the author’s sentiment about the creation of pastel flowers and birds, Consider the beauty of nature and the creators of life together as one. Through sketching and understanding of the aesthetics, characteristics and inner spirit of porcelain, birds and porcelain, we can re-experience the charm of porcelain painting and achieve self-breakthrough to promote the simultaneous development of flowers and birds porcelain and the times.