中国当代壁画理论的建构中,“作品观”已逐渐被“文本观”所取代。20世纪90年代以来,在壁画理论研究过程中,一些新的概念悄然兴起,如:公共艺术、广场艺术等,这些词带有明显的“舶来”的痕迹。这从一个侧面显示出传统的壁画观念已不能满足现时代发展需要的事实。这些概念在所指 In the construction of China’s contemporary theory of murals, the concept of works has gradually been replaced by the concept of texts. Since the 1990s, some new concepts have quietly emerged in the research of the theory of murals, such as public art and square art, which have obvious traces of “coming from abroad”. This shows from one aspect that the traditional concept of murals can no longer meet the needs of the present age. These concepts are referring to