《野人》的演出以它丰富的舞台表现手段引导观众思考它不断提出的问题。它仿佛没有贯穿的情节、完整的人物,但我们却喜欢它。戏剧的观赏不仅是“观”,更重要的是“赏”,而“赏”就不免思考。《野人》的情节极其简略,几乎是点到为止,它仅求局部情节的细腻生动,而不求情节的整体贯穿,这是符合有高度时空限制的戏剧艺术特点的。塑造人物也是如此,它仅求 “Savage” performance with its rich stage performance of the means to guide the audience to think it constantly asking questions. It seems that there is no penetrating plot, a complete character, but we like it. Drama is not only viewing “concept”, more importantly, “reward”, and “reward” can not help but think. The plot of the Savage is extremely simple and almost point-to-point. It only requires the delicate and vivid performance of local plots, rather than the plot throughout, which is in line with the dramatic artistic features of high temporal and spatial limitations. The same is true for figuring out characters, it only requires