美籍加勒比裔女作家近年来在美国文坛备受关注。作为一个特殊的群体,她们在审视和反思自身双重的民族和文化身份以及在异质文化语境中身份的构建与变迁的同时,也极为关注加勒比地区作为离散文学主体和留守本地的两种类型女性的生活与遭遇,以及各自独特的女性身份构建。2013年丹蒂卡发表新作小说《海的光芒》将留守家乡海地的女性作为自己作品的主要叙述主体,塑造了以克莱尔、嘉尔夫人、露易丝和弗洛尔为代表的海地留守女性群像,讲述这些女性与周围生态环境相互依存的密切关系,揭示留守女性在生活的艰难困境中的挣扎、觉醒与反抗以及她们与大海、高山、野生生物等自然要素不可分割的联系,这些生态要素既毁灭生命,又孕育生命。小说典型性地体现了作者的生态女性主义意识,即在重重的苦难中,在特殊而复杂的生态背景下,海地女性坚持寻求生的意义和希望,并在对抗死亡的过程中发现了爱的力量。 American-Caribbean female writers have drawn much attention in American literature in recent years. As a special group, they also pay close attention to the two types of Caribbean literature as the main body of discrete literature and the local people, while examining and reflecting on their own dual national and cultural identities and the identity and construction in the heterogeneous cultural context. Women’s lives and experiences, as well as their own unique female identity. In 2013, Tandica published his new novels “The Light of the Sea” as the main narrator of his own works in the women who stayed behind in his hometown of Haiti, and created a group of Haitian left-behind women represented by Claire, Mrs. Garr, Louise and Flor , Narrating the close interdependence of these women and the surrounding ecological environment, revealing the struggle, awakening and resistance of left-behind women in the hardships of life and their inseparable connection with the natural elements such as the sea, mountains and wildlife. Both of these ecological elements are both Destroy life, but also give birth to life. The novel typically embodies the author’s ecofeminist consciousness that Haiti women insist on the meaning and hope of life and find love in the process of combating death in a great deal of suffering, in a special and complex ecological context power.