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2013年7月至8月,是张可欣在泰国的修行期,他在地处僻静乡村的萨满那寇塔拉姆寺修行。此间,张可欣将他修行及道场的“纪念照”上传到了网络上,这种看似与静心修为完全相悖的快速传播方式,也在小范围内引发了一些争议:只身“出家”于海外的一个乡村庙宇,是艺术家自身遇到坎坷后对现实的一种短暂逃避?还是通过对于修行道场的标榜来制造一个艺术的秀场?而笔者认为,张可欣的这种行为其实是缘自中国商品化社会人类思想层面的一个异化现象:国人在物化下的当代文化生活情境中,由
From July to August 2013, Zhang Kexin practiced in Thailand during his practice of shaman Kottalam Monastery in a secluded village. During this period, Zhang Kexin uploaded his practice track and the “Memorial Photo” onto the internet. This kind of rapid communication method that appeared to completely contradict with meditation was a little controversial: “ ”A country temple overseas is a short-lived escape from realism encountered by the artist itself or is it an art show that advertises the practice of the Taoist temple? In the author’s opinion, Zhang Kexin’s behavior is actually a matter of fact From the alienation of human thought in commercialized society in China, in the context of contemporary cultural life under materialization,