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一九一七年,当杜尚(Marcel Duchamp)将一个现成品送到纽约独立艺术家大展上展出之时,他发动了对古典美学的最后颠覆。(1)康德(Immanuel Kant)建立在与日常对象相区别的审美对象独特性之上的整个传统美学思想的大厦坍塌了。(2)二十世纪六十年代,随着概念艺术、大地艺术、行为艺术和装置艺术的出现,艺术的边界得到了扩展,艺术理论也作出了巨大变革,以回应艺术实践所提出的问题。(3)上世纪七十年代以来,在哲学、文学理论等人文学科的影响下,艺术理论获得了迅
In 1917, when Marcel Duchamp presented a ready-made product to the New York Independent Artist Exhibition, he launched the ultimate subversion of classical aesthetics. (1) Immanuel Kant’s building of the whole traditional aesthetical thought based on the uniqueness of the aesthetic object that distinguishes itself from everyday objects collapses. (2) In the 1960s, with the advent of concept art, earth art, performance art and installation art, the boundary of art was expanded and the art theory also made great changes in response to the questions posed by the practice of art. (3) Since the seventies of last century, under the influence of the humanities such as philosophy and literary theory, art theory has gained rapid