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1998年2月8日在济南窄门文化艺术沙龙(窄门酒吧)由著名诗人、艺术批评家岛子先生主持举办了“98高兟、高强装置、行为、地景艺术文献图片展”。这是山东近年来最具前卫性的艺术活动。展览期间岛子先生作了题为“九十年代中国前卫艺术景观与方位”的艺术讲座。同时对高氏兄弟的艺术做了详尽的介绍和评价。高氏兄弟自八十年代中期介入中国前卫艺术活动以来,创作了一系列具有文化和社会影响力的作品,使他们成为当代艺术界具有人文知识分子独立品性的重要艺术家。本次展览除了高氏兄弟近年来引起批评界广泛关注和批评的“临界——大十字架”系列作品外。引起人们更大兴趣的是他们以济南北郊黄河南岸为创作基地创作的地景、装置行为作品。今年正值中国美术年,在此,本刊
In February 8, 1998 in Jinan narrow door culture and theatrical salon (Narrow door bar) by the famous poet, art critic Mr. Shoko chaired the “98 Takakuro, high-strength installations, behavior, landscape art photo exhibition . This is the most avant-garde art event in Shandong in recent years. During the exhibition, Mr. Shima made an art lecture titled ”Landscape and Direction of China’s Avant-Garde Art in the 90’s“. At the same time, I made a detailed introduction and evaluation of the art of Gao Brothers. Since his involvement in China’s avant-garde art activities in the mid-1980s, the Gao brothers have created a series of culturally and socially influential works that have made them important artists in contemporary art with the independent character of humanistic intellectuals. In addition to the ”Critical-Great Cross" series of works that the Gao brothers have drawn widespread concern and criticism from critics in recent years, What aroused more interest was their works of landscape creation and installation based on the southern bank of the Yellow River in the northern suburbs of Jinan. This year coincided with the Chinese Art Year, in this article