论文部分内容阅读
中国电影的实践历程久远但中国特色的理论体系至今仍未如西方理论般完善,并且在实践过程中仍践行着西方的经典理论。早期的蒙太奇理论、纪实美学、新浪潮和现代主义电影理论等带来的理论春风,吹醒了第四第五代的中国导演之后,现代电影理论带来的符号学、精神分析批评、意识形态批评、女性主义和大众文化等等后现代性十足的新理论又为中国的电影实践提供了充足的理论源泉。
However, the theoretical system of Chinese characteristics has not yet been perfected as well as the Western theories and the practice of the Western classical theories is still practiced in the process of practice. Early montage theory, documentary aesthetics, new wave and modernist theory of film theory brought the spring breeze, wake up the fourth generation of Chinese director, the modern theory of film brought the semiotics, psychoanalysis and criticism, ideology The new theory of criticism, feminism and mass culture, which is full of post-modernity, has provided sufficient theoretical sources for China’s film practice.