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十部传奇九相思,通过运用叙事学方法对《浣纱记》进行不同的视角分析,我们看到:郎才女貌的外在形象,忠贞执着的爱情行为,反讽、对比的情节设置依然围绕着传统爱情主题而展开,叙事平衡的维护没有脱离对传统道德的宣扬。《浣纱记》对传统对立元素的解构扩大了爱情的内涵和悲剧意蕴,突破了传统剧目才子佳人以婚姻为目的的爱情模式。抨击假丑恶讴歌真善美,仍然是爱情叙事的本质内容。但由于发送者“行动元”的转移,丰富了情节发展的叙事张力,对塑造人物性格完善人物形象有着重要意义。把充满特色的矛盾冲突寓于普通的叙事结构中,使人物性格、心理的发展在合理的叙事中更加丰富而真实。
Ten Sagittarius nine acacia, through the use of narratology method of “Huanzhajikuan” from different perspectives, we see: Langcai female appearance of the external image of loyal dedication of love behavior, irony, contrast plot is still set around the traditional love Theme, and the maintenance of narrative balance has not escaped the propaganda of traditional morality. The deconstruction of the traditional opposition elements in Huan Sha Ji expands the connotation and tragedy implication of love and breaks through the love mode of marriage and marriage for the traditional playwright and beauty. Criticizing the truth, goodness and beauty of false ugly songs is still the essence of love narrative. However, the transfer of sender “action yuan ” has enriched the narrative tension of plot development and is of great significance to shaping the personal character and perfecting the character image. The contradictory and contradictions full of characteristics are arranged in the ordinary narrative structure so that the development of character and psychology is more abundant and true in reasonable narration.