中国画和书法艺术的关系非常密切,这在中国古代的书论、画论以及诗文题跋中均有体现。由于受时代的影响,两者关系在历史上曾经有过几次融合,如南齐谢赫在“六法”中提出的骨法用笔,元代赵孟頫在《秀石疏竹图》中的题诗,以及清代“金石入画”的画学追求。他们均是本着“技道合一”的方法来展开画学研究的。南朝宗炳在《画山水序》中 The relationship between Chinese painting and calligraphy art is very close, which is reflected in ancient Chinese calligraphy, painting theory and the prose writing. Due to the influence of the times, the relations between the two have had several times in the history. For example, the pen of bone method put forward by Nancy Sheikh in “Six Methods” , As well as the Qing Dynasty “Jinshi into painting ” the pursuit of painting. They are based on “technique ” method to start painting research. Southern Zong Bing in “painting landscape”