一、紫砂潮波澜骤起 紫器,应起自宋元,至明而盛。之后,壶师辈出,几经兴衰,至二十世纪八十年代,随着台湾省与大陆经济的增涨,人们商战之暇,求片刻之闲静与鉴赏古玩之心态,茶文化与壶艺因之大盛,由此而引发的制壶热,可谓空前。壶之形制,装饰,亦五花八门,百态千姿。 在紫砂浪潮猛涨的十余年里,推波助澜,的确造就了一批制壶高手,他们有传统功力,有精湛技艺,推动了紫砂的发展。然而,不少想发财者,却便生搬硬凑,或重复古已有之,今已有之的紫器,或窃取别人的成果,甚至之直接造假。此外由于艺人多由师徒相传,又受文化,视野与审美能力的局限,要跳出原有紫 A purple tide waves Lan suddenly rise, should start from the Song and Yuan Dynasties, to the Ming and Sheng. After that, the masters of pots went through numerous ups and downs. By the 1980s, with the economic growth in Taiwan Province and the mainland, people were at a time of commercial war and sought a moment of quietness and appreciation of curiosity, tea culture and pot art The Sheng, caused by the pot heat, can be described as unprecedented. The shape of the pot, decoration, but also varied, in different poses and with different expressions. In the more than ten years of the surge of purple sand wave, it has indeed created a batch of master potters who have the traditional skills and superb skills and have promoted the development of purple sand. However, many people who want to make a fortune will find it hard to copy or duplicate the existing ones they already have, or to steal the achievements of others or even to make direct mistakes. In addition, due to many artists by the mentor and legend, but also by the limitations of culture, vision and aesthetic ability to jump out of the original purple