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作为一门传统造型艺术,中国陶瓷雕塑艺术是人类精神、宗教、文化、情感传达的现实物化形式,其创作宗旨秉承了和中国书画艺术一样的精神品质——不求形似,但求神似。这种“神韵高于形真”的艺术风格及其艺术表现形式体现了中国儒、道哲学观中的美学思想。在其中“天人合一”、“物我皆忘”观念的渗透下,中国陶瓷雕塑艺术的造型和形式语言将重写意与重传神两种特质蕴于其中,形成了人与自然相融合的独特东方审美观和“写意”的造型观,并贯穿于中国陶瓷雕塑艺术的发展历程。
As a traditional style art, Chinese ceramic sculpture art is a realistic materialized form of human spirit, religion, culture and emotion transmission. Its creative purpose adheres to the same spiritual qualities as Chinese calligraphy and painting arts. The artistic style and artistic expression of this kind of “charm above trueness” embodies the aesthetic ideas in Chinese Confucianism and Taoism. Under the infiltration of the concept of “harmony between man and nature” and “the thing I forget”, the stylistic and formal language of Chinese ceramic sculpture embodies two qualities of rewriting and retransfering God, The unique oriental aesthetics and the “freehand” styling of the integration of nature, and throughout the development of Chinese ceramic sculpture art.