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在世界戏剧的森林里,中国戏曲如一株参天碧梧,植根于深厚的民族文化土壤,经受历史的日照雨洗,挺拔矗立,枝叶繁茂。而京剧则是树冠之上最闪亮的一枚绿叶,集千年民族戏曲之大成,形成了绚丽多姿的艺术体系,有一整套完整、丰富的表演手法,其凝炼程度之高,表现力之强,是别的戏曲剧种难以比拟的。二十世纪的一百年,是京剧发展颇多波折的历史岁月,其间,有抗战时期国破家亡百姓离乱,京剧严重受创;有“十年文革”“八个样板戏”独霸舞台,以人为的操控扭曲了京剧自然、全面的成长方向。直至新时期伊始,京剧才迎来了
In the world drama of the forest, Chinese drama such as a towering Biwu, rooted in the deep soil of national culture, withstand the sunshine and rain history, tall and straight, lush foliage. Peking Opera is the glitziest greenery on the canopy. It is a glorious collection of thousands of national operas that form a colorful art system with a complete set of rich and varied performance techniques. It has a high degree of condensation and expressiveness Strong, is another drama operas unmatched. During the 100 years of the 20th century, there were many historical twists and turns in the development of Peking Opera. During the Anti-Japanese War, "Dominate the stage, with artificial manipulation distorts the natural, comprehensive growth direction of Beijing Opera. Until the beginning of the new era, Beijing Opera was ushered in