田野工作自民族音乐学学科创立以来就是其合法性的基础及价值所在。以笔者2016年参加汉水流域民间音乐考察的笔记为例,以学者杨红提出的“时空坐标”、“社会场域”、“音乐事象”、“文化隐喻”四个模式为出发点,也可以从时空坐标、社会场域、音乐事象等方面探讨田野工作记录中的各方面学术机缘,观察田野概念、真实性概念、符号意义等的流变。 Fieldwork has been the basis and value of its legitimacy since its establishment in the field of ethnomusicology. Taking the notes taken by the author in 2016 to study the folk music in the Han River basin as an example, this paper uses the “space-time coordinates”, “social field”, “musical phenomenon”, “cultural metaphor” Four models as the starting point, but also from the spatiotemporal coordinates, social fields, music and other aspects of the field work records to explore all aspects of academic opportunities, observe the concept of the field, the concept of authenticity, symbolic meaning and other changes.