被称作“笔墨游戏”的文人画在经过长时间发展,直至后来形成了反映士大夫生活理想的独具特色的绘画。文人画发展过程中主要强调的就是“形”与“意”的结合,这已经成为中国绘画中的“魂”。我国文人士大夫通常是将文人作为一种消遣的方式,表达自身情感的一种方式。文人画最初主要是苏轼等人为代表,在王维文人画的基础上将书入画,在实践发展中而创新了我国的水墨画,这样也就使得我国的文人画的艺术风格确定起来了。在元朝之后,我国的文人画开始成熟起来,并且成为当时画坛的中坚力量,明清之后进入了鼎盛时期,涌现出了大量的文人画家。因而,本文主要就是笔者结合自身绘画经验对文人画中“形”与“意”进行分析与研究。 After a long period of development, the literati painting, which is called “Pen and Ink ”, developed into a unique painting that reflected the ideal life of a doctor. The main emphasis in the development of literati painting is the combination of “form ” and “meaning ”, which has become the “soul” in Chinese painting. The literati and doctor of our country are usually one way of expressing their feelings by using the literati as a recreational way. The literati paintings were primarily represented by Su Shi and others. On the basis of Wang Wei’s literati paintings, he put books into paintings and practiced and developed Chinese ink paintings. This made the artistic style of Chinese literati paintings sure. After the Yuan dynasty, the literati painting of our country began to mature and became the backbone of the traditional painting circles. After the Ming and Qing dynasties, it entered its heyday and a large number of literati artists emerged. Therefore, this article mainly analyzes and studies the literati ’s “” and “meaning ” in his painting experience.