李占洋的作品一直充满争议,不论是对社会现状的描述或是雕塑的情色题材。就像李占洋的作品《租-出租院》的“租”一样,中国一直在租别人的艺术,李占洋在做中国特色雕塑,具有中国特色,描述的中国社会。他的作品有很强的现场感和故事感,因为它的作品都来源于生活,来源于现实,每个人的记忆,他默默的关注着社会。现在的很多作品往往会更注重作品的形式而忽略了它的本质和内容,而他的作品虽然,大多数从外表看起来不好看,很丑,但却让人能从镜子中看到了自己,都是生活中丑陋的一面。 Li Zhanyang’s work has always been controversial, whether it is the description of the social status quo or sculpture erotic themes. Like Li Zhaoyang’s “Rent-Renting House,” the “rent”, China has been renting art, Li Zhanyang is doing Chinese-style sculpture, with Chinese characteristics, described in Chinese society. His works have a strong sense of presence and story, because of his works are derived from life, from reality, everyone’s memory, he quietly concerned about society. Many of the current works tend to pay more attention to the form of the work and ignore the essence and content of the work. Although most of his works look ugly and ugly from the outside, they can only see themselves in the mirror, Are ugly side of life.