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人类情感的主观性和自发性扰乱了舞蹈审美感性与理性的关系。相互排斥的古典两分法思想影响了审美标准的界定与人们的审美交流。舞蹈的美学意义与观众的审美品质之间是合乎逻辑的关系而非因果推理。在尊重舞蹈审美个性的同时,还应关注审美主体的综合背景以及行业惯例和传统社会风俗。尽管没有应对各种表演艺术的标准反应机制,但基于人们共同的生活体验模式,舞蹈审美活动得以顺利进行。
The subjectivity and spontaneity of human emotions disrupt the relationship between aesthetic sensibility and rationality of dance. The dichotomy of classical dichotomy mutually influencing the definition of aesthetic standards and people’s aesthetic exchange. The aesthetic significance of dance and the audience’s aesthetic quality is a logical relationship rather than causal reasoning. While respecting the aesthetics of the dance, it should also pay attention to the comprehensive background of the aesthetic body as well as the industry practice and the traditional social customs. Although there is no standard reaction mechanism to deal with various performing arts, dance aesthetic activities are successfully carried out based on common life experiences.