论文部分内容阅读
通过以往的现代艺术设计经验了解到任何设计离不开传统文化,也离不开本土文化,本土传统文化作为任何艺术设计的前提和基础。本文就主要阐述了东北地区民间传统艺术是现代设计艺术的延续,民间传统艺术也是现代设计艺术的根基和升华,本文就从民间传统艺术的角度来分析了东北地区现代设计艺术的延续。我国的文化传承已足足有了五千年,我国同时也是世界上文化最为悠久的文明古国之一,民间艺术融合了几千年的艺术形式和艺术内涵,文化的精华比比皆是,文化的内涵极其深远,可能在近代受到了西方现代艺术的冲击后形成的一种回归现象,亦或是我国民间传统艺术和现代艺术的某种联系或巧合,使得人们对于民间传统艺术的关注度越来越高,本文认为现代设计艺术其实就是民间传统文化的一种扩展和延续,是建立在民间传统艺术的基础上完成的。东北地区的现代设计艺术也不例外,是东北地区传统民间艺术的延续和扩展。
Through the past experience of modern art design, we know that any design can not be separated from traditional culture and can not be separated from local culture. Local traditional culture is the precondition and foundation of any artistic design. This article mainly elaborates that the traditional folk art in Northeast China is the continuation of the modern design art. The traditional folk art is also the foundation and sublimation of modern design art. This article analyzes the continuation of the modern design art in Northeast China from the perspective of folk traditional art. China’s cultural heritage has been enough for 5,000 years. At the same time, our country is also one of the oldest ancient civilizations in the world. Folk art integrates thousands of years of artistic forms and artistic connotations. The essence of culture abounds, and cultural The connotation is extremely far-reaching. It may be a kind of regression phenomenon formed after the modern Western art was hit in the modern times, or some kind of connection or coincidence between the traditional folk art and the modern art in our country, which makes people pay more and more attention to folk traditional art The higher the paper holds, the modern design art is actually an extension and continuation of the traditional folk culture. It is based on the folk traditional arts. The modern design art in Northeast China is no exception, which is the continuation and expansion of the traditional folk art in Northeast China.