歌剧进入中国不到百年,但将之本土化的历程却已经过了几起几落。中外语言、民族心理、欣赏习惯乃至情感表达方式上的差异等等先天因素,都是令歌剧难以融入中国剧坛、成为广大民众喜闻乐见的戏剧品种的拦路虎。因此,为了使歌剧得以在中国真正扎根、生长和发展,在近一个世纪的时间里,几代歌剧工作者一直为着中国歌剧民族风格的形成和确立而苦苦追寻、跋涉在如何更好地令歌剧中国化、民族化的道路上,并在不 Opera into China less than a century, but the process of localization has gone through several ups and downs. Chinese and foreign languages, national psychology, appreciation of habits and even emotional differences in expression and other innate factors, is to make it difficult for the opera into the Chinese theater, as the vast number of people loved by the drama of stumbling block. Therefore, in order to make opera truly rooted, grow and develop in China, in the recent century, several generations of opera workers have been searching for the formation and establishment of the national style of Chinese opera. How to make the opera better So that the opera sinicization, nationalization on the road, and no