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台湾的傀儡戏,主要是从中国漳州及泉州地区流传进来,台湾南部傀儡戏属泉州流派,台湾北部傀儡戏是属漳州流派。而北部的傀儡戏分客家派与福佬派,两者差异不大,戏偶结构和傀儡戏的宗教仪式稍有差别,同样是分布在台湾北部一带,而目前仅存的戏班主要分布在宜兰、高雄地区。台湾傀儡戏的音乐使用常会与该地区流行的戏曲音乐做结合,如北部地区的傀儡戏就使用北管音乐;而南部地区的傀儡戏则多使用南管音乐。台湾的傀儡戏虽然现今较不盛行,但在许多的庆典、宗教仪式中,它仍然是少不了的传统艺术。本文将分为傀儡的定义、台湾傀儡戏概说、台湾傀儡的种类及结构、南北傀儡戏之差别、傀儡戏的角色分类、音乐唱腔这六大部份来做为介绍。
The puppet theater in Taiwan is mainly spread from the Zhangzhou and Quanzhou areas in China. The puppet opera in southern Taiwan belongs to the Quanzhou genre. The puppet opera in the north of Taiwan belongs to the Zhangzhou genre. The northern puppet opera sub-Hakka faction and the banyan faction, little difference between the two, doll structure and puppet theater religious ceremony slightly different, is also distributed in the northern part of Taiwan, and currently the only troupe are mainly distributed in Ilan, Kaohsiung area. Taiwanese puppet theater often uses music in combination with popular opera music in the region, such as northern music in the puppet theater on the north tube, and southern music in the puppet theater in the south. Taiwan’s puppet theater, though less prevalent nowadays, is still an indispensable traditional art in many celebrations and religious ceremonies. This article will be divided into the definition of puppet, Taiwan puppet theater, Taiwan puppet type and structure, the difference between North and South puppet show, the role of puppet show classification, the music of these six major parts to do as an introduction.