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我从小学时便专注于画画,通过各类媒体、书籍的介绍,知道了很多画家长期深入西藏,采风写生、搞创作。我甚至把董希文的油画《藏族青年》和陈丹青的油画《西藏组画》的印刷品摊在桌子上,用铅笔素描的形式临摹其中的人物形象。那时候,在我心中的藏族人民就好比欧洲的吉卜赛人,或是美国西部的潇洒牛仔。与此同时,只要是牵扯到西藏的电影、摄影、绘画,我都仔细地品味。在我眼里,西
Since I was a primary school, I focused on drawing and painting. Through the introduction of various media and books, I learned that many painters have been deeply involved in Tibet for a long time. I even spread the prints of Dong Xiewen’s painting “Tibetan Youth” and Chen Danqing’s painting “Tibetan Group Painting” on the table, copying the figures in pencil sketches. At that time, the Tibetan people in my heart were like the gypsies in Europe or the smart cowboys in the western United States. At the same time, as long as it involves the film, photography and painting in Tibet, I carefully taste. In my eyes, west