论文部分内容阅读
十一届三中全会以来,随着政治环境的宽松,加之全社会对知识的尊重和对人才的需求,新时期文学知识分子的身份逐渐得到认同,小说家们逐渐摆脱政治话语叙事的束缚,以启蒙者的自觉重新审视社会历史,反思人的存在,有的欲通过悲剧叙事来拯救自我,重塑国民品格,在审美风貌上则呈现出悲壮之美与崇高之美。
Since the Third Plenary Session of the Third Plenary Session of the Third Plenary Session of the Eleventh Central Committee of the Communist Party of China, with the relaxed political environment and the society’s respect for knowledge and demand for qualified personnel, the identities of literary intellectuals in the new era have gradually been recognized. Novelists gradually get rid of the shackles of political narratives, With the initiative of the Enlightenment, we can re-examine the history of society, reflect upon the existence of human beings, and some of them want to save themselves through the narrative of tragedy and reshape the character of the nation. On the aesthetic outlook, they show the beauty of tragedy and lofty beauty.