清代中期的重要戏曲批评家周昂在其西厢评本《增订金批〈西厢〉》中,展现了其以传奇美学时空观切入杂剧文本的独特视角,即时间上衔接的合情和空间上转换的合理。周昂的这一独特的批评视角是了解戏曲时空观由写意向写实嬗变的典型窗口。 In the mid-Qing Dynasty, one of the major operatic critics of the opera, Zhou Ang, presented his unique perspective on the texts of the dramas in terms of legendary aesthetics and time, Spatial conversion is reasonable. This unique criticism of Zhou Ang is a typical window to understand the evolution of the concept of time and space of the drama from the freehand to the realistic.