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我们曾经把苏联称为“老大哥”,作为社会主义兄弟,我们一度以为两国之间存在着难分彼此的共性。然而,抛开一时的国际政治上的利益关系和一厢情愿的附庸心态,从思维方式,文化传统和宗教信仰等本质因素看,苏联或俄罗斯并不比美英德法等任何西方国家离中国更亲近。单就社会主义制度的建立和消亡的方式而言,俄罗斯人采用的都是外科手术式的极端主义休克疗法。应该说属于西方文化体系的俄罗斯在许多方面与我们存在着巨大的差别。长期以来,提到俄罗斯美术,我们就会联想到“巡回展览画派”和”社会主义现实主义”等概念。的确,这些伴随着社会革命亦即人与人之间的尖锐对立而产生的美术现象曾长期成为俄罗斯美术的主旋律,并一度对我国的美术事业产生过巨大影响。但通过“20世纪俄罗斯美术展览”,我们看到20世纪的俄罗斯美术象不仅对人的社会性给予了积极关注,而且在神学美学（揭示灵与肉的关系）和科学美学（探索人与自然的关系）方面作出了杰出的成就。毫无疑问,以康定斯基和马列维奇为代表的高水平的抽象艺术,是20世纪俄罗斯人创造出以航天和军事工业为标志的高度发达的现代科技文明的精神动力。康定斯基说过,“数是一切抽象的终结表达”。马列维奇告诉我们,一幅至上主义作品的基础是“重力、速度和运动方向”
We once referred to the Soviet Union as the “eldest brother,” and as the socialist brothers, we once thought there was a commonality between the two countries. However, aside from the temporary interest in international politics and the wishful vassal mentality, the Soviet Union or Russia are not closer to China than any other Western country, such as the United States, Britain, Germany and France, from the essential factors of thinking mode, cultural tradition and religious belief. In terms of the establishment and demise of the socialist system alone, Russians resorted to surgical extremist shock therapy. It should be said that Russia, which belongs to the western cultural system, has in many respects a huge difference with us. For a long time, when it comes to Russian fine arts, we come to think of the concepts of “roving exhibition painters” and “socialist realism.” Indeed, these fine art phenomena accompanied by the sharp social antagonism, that is, the sharp confrontation between people, have long been the main theme of Russian art and once had a tremendous impact on the art career in our country. However, through the “20th Century Russian Art Exhibition,” we can see that the 20th century Russian art not only paid great attention to the sociality of the human being, but also played an important role in theological aesthetics (revealing the relationship between spirit and body) and scientific aesthetics Outstanding Achievements. Undoubtedly, the high level of abstract art represented by Kandinsky and Mlebovich was the spiritual force behind the highly developed modern scientific and technological civilization marked by space and military industry by Russians in the 20th century. Kandinsky said: “The number is the end of all abstract expressions.” Malevich tells us that the foundation of a supremacist work is “gravity, speed and direction of movement”