我从艺已60年.也看到“传统”与“创新”争吵了几十年,看来这是一个很难得出结论的课题,因为画家谁都想坚持自己的艺术倾向。其实.两千多年前.先哲就跟我们提出了要做个“真”画家的标准。打开中国绘画史.庄子就给我们讲述过一个故事:“宋元君将画图,众史皆至,受揖而立,舐笔和墨,在外者半,有一史后至,儃儃不趋,受揖不立,因之舍。公使视之,则解衣般礴,裸。君曰,可矣,是真画图者也。”一个具有鲜明 I’ve been in art for 60 years and I’ve seen that “tradition” has been arguing with “innovation” for decades. It seems that this is a very difficult topic to conclude, because the painter wants to stick to his artistic tendency. In fact, more than two thousand years ago, the philosopher and us proposed the standard of becoming a true painter. Open the history of Chinese painting. Zhuangzi tells us a story: “Song Yuanjun will draw, all the history of all, subject to stand erect, pen and ink, half and half, there is a history, Not legislation, because of the house. As the Minister of the public, then the unwinding-like 礴, naked. Jun said, can carry on, is a true drawing also. ”A distinctive