20世纪以来的老一辈油画家.无一不注重用笔问题,徐悲鸿即是一个典型的代表。徐悲鸿的很多风景油画中“摆”的笔法用得较多。对此,他的某些学生曾论及.笔者无遑赘述。然而徐悲鸿是一个主体意识和独立精神很强的画家,他在欧洲常年研磨和学习西方古典油画技法.为的是吸取他国的绘画优点而变革自己国家的绘画.或者建构具有本国民族特色和国家气派的油画。所以他的风景油画中的个性用笔又较为强烈:在“摆”的笔法的基础之上,揉进了“点”、“擦”、“勾”.“染”等用笔方法.并且将中国画和书法中的某些用笔方法融入进去。 Since the 20th century, the older generation of oil painters have paid special attention to using pen questions, and Xu Beihong is a typical representative. Xu Beihong many landscape painting “pendulum ” style of writing used more. In this regard, some of his students have discussed the author without explanation. However, Xu Beihong is a painter with a strong sense of subject and spirit of independence who has been grinding and learning Western classical techniques of painting in Europe all year long, in order to draw on the strengths of other countries and change the painting of his own country, or to construct his own country with national characteristics and national style Painting So his pen in his landscape painting is more intense: on the basis of “pendulum”, he rubs into “point”, “wipe”, “hook” Dyed "and used pen methods and incorporated some of the pen and brush techniques used in Chinese painting and calligraphy.